New Age Equestrian

TJ Martin's 'The Judge at E' features
music designed for equine events

____________________

By ROSS BOISSONEAU
Record-Eagle features editor
_________________________

TRAVERSE CITY -- Whatever the genre--classical, rock, blues, country -- one
thing all music has in common is the audience: human beings. TJ Martin's new CD
is a bit different, 'The Judge at E' is not only for people but for horses, it is music
for dressage (rhymes with massage). Martin was a devotee of the sport which has
been called equine ballet for the movements demanded of horse and rider. But
one thing always bothered him: The clumsy segues between the pieces of music
that were adapted for the event. "I thought I could eliminate that by having
original music", he said. So that's what he set out to do. Enlisting a 15 piece
ensemble including saxophone, flute, trumpet, keyboards, percussion and his
guitar, he composed seven pieces of music. Not only were they meant for
dressage, the pieces were composed specifically for individual riders and their
mounts, though for the most part they could be adapted for others. "The recording
session was done very differently, TJ sat in front of a video (of the horse and rider
performing) playing his guitar", said John Knight, owner of Full Circle Recording
Studio where the project was recorded.

The pieces on 'The Judge at E' run between five-and-a-half and six minutes, with
the exception of a catchy 2-minute, 40 second tune called "Samson's Prelude".
The music embraces many genres: There is gentle romanticism, sprightly folk,
jazzy interludes, even some quasi-flamenco. It holds together surprisingly well as
an instrumental, acoustic new age disc.
__________________________________________

"Chilled out and floating!!"

"Nice mood"

Delicious!"

"Solid performing"

"Quite beautiful"
_________________________________________
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